Horror
The Babysitter: Killer Queen – Film Review
The Babysitter: Killer Queen fails to recapture the essence of its predecessor, delivering a disappointing sequel that lacks the wit, charm, and originality that made the first film a cult favorite.
The Texas Chainsaw Massacre 2 – Film Review
If you’re in the mood for a gory ride with a side of dark humor and can overlook its shortcomings, The Texas Chainsaw Massacre 2 might just satisfy your craving for over-the-top horror.
Fright Night (1985) – Film Review
Whether you’re a fan of vampire lore, ’80s cinema, or simply enjoy a well-crafted blend of scares and laughs, Fright Night is a fangtastic cinematic experience that continues to captivate audiences, making it a true gem in the pantheon of…
The Boogeyman – Film Review
The Boogeyman offers a decent entry into the supernatural horror genre, benefiting from strong performances and atmospheric tension.
Herd – Film Review
Herd struggles to stand out in the crowded zombie horror market. The film’s muddled narrative, uneven tone, and lack of character depth ultimately lessen its impact despite the sincere efforts of its cast and crew.
Dead Ringers – Film Review
Dead Ringers is a fascinating study of identity crisis and psychological decay, elevated by exceptional performances and a haunting atmosphere.
Trick or Treats – Film Review
Viewers seeking a truly chilling and well-crafted Halloween experience would be better off looking elsewhere, as Trick or Treats fails to deliver the spine-tingling thrills that the genre is known for.
- 1982
- Horror
Dear David – Film Review
Dear David ultimately falls short of living up to its intriguing premise, so save your time and money for a more creative and compelling horror experience.
Curse of Chucky – Film Review
Curse of Chucky may not reach the heights of the franchise’s early classics, but it is a step in the right direction after the missteps of some of its predecessors.
The Conference – Film Review
The Conference provides a fun, if unsatisfactory, horror experience. Its strong performances, atmospheric tension, and exploration of horror within the constraints of corporate banality are its strong points.