Transformers: Rise of the Beasts – Film Review

Optimus Prime and the Autobots take on their biggest challenge yet. When a new threat capable of destroying the entire planet emerges, they must team up with a powerful faction of Transformers known as the Maximals to save Earth.

Transformers: Rise of the Beasts is a film that aims to capture the imagination of audiences with its high-octane action sequences and ambitious world-building. Directed by Steven Caple Jr., the movie brings together familiar Autobots led by Optimus Prime and introduces a new faction of Transformers known as the Maximals, as they face their most significant challenge yet – a threat capable of obliterating the entire planet.

One aspect that stands out in Transformers: Rise of the Beasts is the abundance of action sequences. The film is packed to the brim with thrilling moments that showcase the colossal battles between the Transformers. Many of these sequences are undeniably fun and entertaining, providing the adrenaline rush that fans of the franchise crave. What’s impressive is that a considerable number of these action scenes were filmed in-camera, adding a sense of realism and weight to the spectacle. It’s refreshing to see the practical effects being utilized instead of relying solely on CGI.

However, amidst the enjoyable action, there are moments when the film’s action scenes come across as bland and lifeless. It feels like they are there merely to fill the screen time, lacking the excitement and creativity that could have made them truly memorable. While some sequences stand out, others blend together, making it difficult for them to leave a lasting impact on the viewer.

The scope and world-building in Transformers: Rise of the Beasts are commendable. The film expands the Transformers universe, introducing new Transformers factions and exploring different locations. The attention to detail in the design of the Transformers and their respective environments is impressive, creating a visually captivating experience. The film’s ability to immerse the audience in this vast world is undoubtedly a strong point.

However, despite the expansive world-building, the characters in the film leave much to be desired. Anthony Ramos‘ character, Noah Diaz, is likable enough, but he falls into the familiar archetype of the young, relatable human who gets caught up in the epic clash between the Transformers. He feels like a reimagined version of Sam Witwicky from the Michael Bay Transformers movies, lacking the depth and complexity that could have set him apart. The supporting characters, both human and Transformers alike, also lack substantial development, making it challenging to form a deep connection with them.

When comparing Transformers: Rise of the Beasts to its predecessors, it stands head and shoulders above the Michael Bay Transformers films. It possesses a certain level of coherence and storytelling that the Bay films often lacked. The film’s narrative feels more focused, and the action is easier to follow. The introduction of the Maximals adds a fresh element to the franchise, injecting new life into the Transformers universe.

However, the film falls short when compared to Travis Knight‘s Bumblebee, which managed to strike a perfect balance between science fiction spectacle and heartfelt coming-of-age elements. Bumblebee demonstrated that a Transformers film can have depth and emotional resonance while still delivering on the action front. Unfortunately, Transformers: Rise of the Beasts doesn’t quite achieve the same level of storytelling and emotional impact.

While Transformers: Rise of the Beasts is an entertaining movie to watch in theaters, it ultimately proves to be forgettable in the long run. Its action-packed sequences and expanded universe provide a fun experience in the moment, but the lack of memorable characters and a truly compelling narrative prevent it from leaving a lasting impression. It falls into the category of a popcorn flick, perfect for a couple of hours of mindless enjoyment but lacking the substance to truly resonate with audiences beyond that initial viewing.