The Ring – Film Review

Published July 14, 2023

Movie Details

Rating
A-
Director
Gore Verbinski
Writer
Ehren Kruger
Actors
Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander
Runtime
1 h 55 min
Release Date
October 18, 2002
Genres
Horror, Mystery
Certification
PG-13

It sounds like just another urban legend — a videotape filled with nightmarish images leads to a phone call foretelling the viewer’s death in exactly seven days. Newspaper reporter Rachel Keller is skeptical of the story until four teenagers all die mysteriously exactly one week after watching just such a tape. Allowing her investigative curiosity to get the better of her, Rachel tracks down the video and watches it. Now she has just seven days to unravel the mystery.

The Ring is a captivating and atmospheric horror film directed by Gore Verbinski. Released in 2002, the movie successfully combines elements of mystery, suspense, and psychological terror to create a truly haunting experience for viewers. Adapted from the Japanese film Ringu, Verbinski’s version of The Ring introduces American audiences to a story that is both chilling and thought-provoking.

One of the film’s strongest aspects is its masterful use of cinematography and visual storytelling. Verbinski employs a muted color palette throughout the movie, emphasizing cool tones and desaturated hues. This choice not only contributes to the eerie atmosphere but also sets the stage for the grim and unsettling events that unfold. The film’s opening scene, in particular, establishes a sense of foreboding through a combination of striking visuals and a haunting score, immediately capturing the audience’s attention.

The pacing of The Ring is another standout feature. Verbinski skillfully builds tension throughout the film, allowing it to slowly simmer until it reaches a boiling point. The deliberate and measured progression of the story keeps viewers on edge, eagerly awaiting the next twist or revelation. Rather than relying solely on jump scares, The Ring utilizes a sense of creeping dread, gradually escalating the suspense and leaving the audience in a constant state of unease.

The performances in the film are exceptional, with Naomi Watts delivering a standout portrayal as the lead character, Rachel Keller. Watts brings a sense of vulnerability and determination to her role, immersing herself fully in the character’s journey. She convincingly conveys Rachel’s growing obsession with the mysterious videotape, and her relentless pursuit of the truth adds a compelling layer to the narrative. The supporting cast, including Martin Henderson and David Dorfman, also delivers solid performances that contribute to the overall effectiveness of the film.

One of the most memorable aspects of The Ring is its innovative and unnerving concept. The idea of a cursed videotape that brings about a sinister fate to anyone who watches it is a stroke of brilliance. Verbinski skillfully explores the psychological impact of this curse on the characters, creating an atmosphere of dread and paranoia. The film delves into themes of guilt, mortality, and the consequences of our actions, all while maintaining an air of mystery and intrigue.

Verbinski’s direction is commendable, as he expertly navigates the fine line between horror and psychological thriller. He employs a variety of techniques to build tension and heighten the film’s impact, such as utilizing unexpected angles and eerie imagery. The well-executed sequences within the cursed videotape itself are particularly noteworthy, with Verbinski employing surreal and disturbing visuals that leave a lasting impression on the viewer.

The Ring also benefits from a haunting and atmospheric score by composer Hans Zimmer. The music perfectly complements the film’s tone, adding an additional layer of dread and unease. Zimmer’s score utilizes haunting melodies and dissonant sounds to create an unsettling auditory experience that lingers long after the movie ends.

While The Ring is undoubtedly a strong film, it does have a few minor shortcomings. The resolution of the mystery surrounding the videotape’s curse could be seen as somewhat convoluted and overly reliant on exposition. Some viewers may also find the film’s conclusion to be ambiguous and open to interpretation, which could be either a positive or a negative depending on personal preference.

The Ring is a standout horror film that has rightfully earned its place as a modern classic. Gore Verbinski’s direction, coupled with the exceptional performances and the film’s innovative concept, creates a chilling and atmospheric experience. The combination of striking visuals, deliberate pacing, and a haunting score contributes to a sense of creeping dread that stays with the viewer long after the credits roll. While it may have a few minor flaws, The Ring remains an engrossing and thought-provoking piece of cinema that continues to captivate and terrify audiences even years after its initial release.