The Mummy Murders – Film Review

Published January 2, 2024

Movie Details

Rating
D+
Director
Colin Bressler
Writer
Colin Bressler, Will Donahue
Actors
Leila Annastasia Scott, Aimee Michelle, Jason Scarbrough
Runtime
1 h 23 min
Release Date
Genres
Certification

The Mummy Murders, directed by Colin Bressler and co-written with Will Donahue, attempts to weave a thrilling mystery amidst a string of disappearances in San Antonio, Texas. Unfortunately, this film falls short in various aspects, delivering a lackluster narrative, uninspired performances, and a muddled execution that leaves much to be desired.

The premise had potential—a seasoned reporter, Alexis (played by Leila Annastasia Scott), investigating a series of disappearances in her hometown, suspected to be the work of a serial killer. However, the execution fails to capitalize on this promising setup. The pacing is sluggish, with a plot that feels more like a tedious unraveling of clichés than a compelling mystery.

One of the film’s major flaws lies in its script. While attempting to create suspense and intrigue, the dialogue often feels forced and lacks depth. The exchanges between characters come off as stilted, failing to evoke genuine emotions or build any real tension. The attempts at suspenseful moments feel contrived and predictable, robbing the film of any genuine thrills.

Leila Annastasia Scott as Alexis, the lead character, delivers a performance that struggles to resonate. While Scott’s portrayal attempts to convey the determined nature of a seasoned journalist, her character lacks depth and fails to connect with the audience on an emotional level. The performance feels flat, leaving the audience disengaged from the protagonist’s journey.

Supporting actors Aimee Michelle as Amanda and Jason Scarbrough as Joe also fall victim to the film’s lackluster script and direction. Their performances lack authenticity, making it challenging to invest in their characters or their relationships with Alexis. The chemistry between the characters feels forced, hindering the film’s ability to evoke empathy or interest in their fates.

The cinematography and production design also leave much to be desired. While attempting to create an atmospheric backdrop for the mystery, the film fails to capture the essence of San Antonio or create a sense of place. The visuals lack depth, and the settings feel generic, failing to immerse the audience in the story’s environment.

Furthermore, the film’s attempt to blend elements of a mystery thriller with a hint of horror falls short. The incorporation of the ‘mummy’ theme feels forced and gimmicky, adding little to the overall narrative and contributing to the film’s disjointed feel. The transitions between different plot points lack coherence, leaving the audience confused rather than intrigued.

The resolution of the mystery is anticlimactic and lacks the payoff that viewers might expect from a thriller. The buildup to the reveal feels rushed, and the conclusion fails to tie up loose ends satisfactorily. Instead of leaving the audience with a sense of closure or revelation, the ending feels abrupt and unsatisfying.

The Mummy Murders fails to deliver on its premise. With a lackluster script, uninspired performances, and disjointed execution, the film struggles to engage its audience. While attempting to be a gripping mystery-thriller, it falls short in every aspect, resulting in a forgettable and disappointing cinematic experience.