Silent Night, Deadly Night Part 2 – Film Review

Published December 4, 2023

Movie Details

Rating
F
Director
Lee Harry
Writer
Lee Harry, Joseph H. Earle
Actors
Eric Freeman, James Newman, Elizabeth Kaitan, Jean Miller, Darrel Guilbeau
Runtime
1 h 28 min
Release Date
April 10, 1987
Genres
Comedy, Horror
Certification
R

Silent Night, Deadly Night Part 2 is a cinematic train wreck that somehow manages to be so bad that it circles back around to being entertaining in its own right. A sequel to the infamously notorious slasher flick, this film is a perfect embodiment of the so-bad-it’s-good category. Clocking in at an hour and 28 minutes, it’s a ludicrous and unintentionally hilarious attempt at horror that unintentionally amuses more than it scares.

The plot, if one can generously call it that, attempts to capitalize on the notoriety of its predecessor. However, it relies heavily on excessive flashbacks from the first film, dedicating almost half its runtime to recycled footage. This lazy attempt at storytelling is both insulting and comical. Instead of advancing the narrative, the film seems content to recycle what made the original infamous, attempting to milk its shock value once again without any real substance.

One of the most notable features of Silent Night, Deadly Night Part 2 is the performance of Eric Freeman as Ricky Caldwell, the younger brother of the original film’s killer. Freeman’s acting is a mesmerizing blend of over-the-top melodrama and unintentional comedy. His facial expressions, particularly his eyebrows, seem to have a life of their own, delivering a level of absurdity that transcends bad acting and enters the realm of unintentional brilliance. His iconic line “Garbage day!” has become an internet meme and a testament to the film’s unintentional comedic legacy.

The dialogue is cringe-inducing and often laughable. Scenes are littered with poorly written lines and awkward deliveries that make it hard to take anything seriously. Whether it’s Ricky’s bizarre monologues or the banal conversations between supporting characters, the script feels like it was written by someone with a passing understanding of storytelling but zero grasp on how humans interact or speak.

Adding insult to injury, the film’s technical aspects are as shoddy as its storytelling. The editing is choppy, with abrupt transitions that often leave the audience baffled. Scenes lack cohesion, making the narrative feel disjointed and fragmented. The use of recycled footage from the first film only exacerbates the sense of laziness that permeates every aspect of this production. Furthermore, the soundtrack seems almost comically out of place, with music cues that fail to create any semblance of tension or suspense.

The kills and gore, usually a highlight in slasher films, are lackluster and uninspired. While the original film had its fair share of gruesome moments, this sequel feels like a watered-down attempt to recreate the shock value without understanding what made it effective in the first place. The kills are predictable, poorly executed, and lack any creativity, resulting in a sense of monotony rather than genuine horror.

Despite its numerous flaws, Silent Night, Deadly Night Part 2 has garnered a cult following precisely because of its ineptitude. It falls into the category of movies that are so horrendously executed that they become a source of entertainment. The unintentional humor, cringe-worthy dialogue, laughable performances, and overall lack of quality make it an unintentional comedy that is best enjoyed with a group of friends ready to revel in its absurdity.

Silent Night, Deadly Night Part 2 is a cinematic disaster that somehow manages to transcend its abysmal quality to become an unintentional comedy. It fails spectacularly in every aspect of filmmaking, yet its sheer incompetence turns it into a guilty pleasure for those who enjoy indulging in the so-bad-it’s-good category. If you’re in the mood for a laughably terrible movie that defies logic and reason, this film might just be the perfect choice. But for anyone seeking a genuinely good horror movie, look elsewhere, as this sequel is a prime example of how not to make a film.