Players – Film Review

Players, a romantic comedy helmed by Trish Sie and penned by Whit Anderson, had the potential to score big with its lineup of notable talents such as Gina Rodriguez, Damon Wayans Jr., and Tom Ellis. Unfortunately, despite its all-star cast and a premise that hints at a blend of modern-day love dilemmas and comedic scenarios, Players stumbles more than it strides, making it a forgettable entry in the rom-com genre.

At its heart, Players introduces us to Mack (played by Gina Rodriguez), a spirited New York City sportswriter whose adventurous love life is fueled by a series of hook-up schemes masterminded with her best friend, Adam (portrayed by Damon Wayans Jr.). The dynamic between Mack and Adam is pitched as the core of the movie’s humor and emotional depth. Yet, it falls flat due to lackluster chemistry and a series of gags that miss more often than they hit. When Mack meets Nick (Tom Ellis), a charming war correspondent, the film attempts to navigate the complexity of choosing between fleeting pleasures and the vulnerability of genuine connection. This premise is hardly original, but under the right circumstances, it could have provided fertile ground for both humor and heartfelt moments.

The primary issue with Players is its failure to fully capitalize on its premise and cast. Gina Rodriguez, who has proven her comedic and dramatic chops in projects like Jane the Virgin, feels underutilized here, relegated to acting out a thinly written character whose motivations and growth are as predictable as they are superficial. Tom Ellis, known for his magnetic charm on Lucifer, is given little to do beyond playing the archetypal perfect man, a role that’s as thankless as it is uninteresting. The real disappointment, however, comes from the underdeveloped dynamic between Mack and Adam. Damon Wayans Jr., who can effortlessly steal scenes with his comedic timing, is confined to a character whose relationship with Mack feels more plot-driven than genuinely heartfelt.

The supporting cast, featuring Joel Courtney, Augustus Prew, Liza Koshy, Ego Nwodim, Marin Hinkle, and more, is similarly wasted, serving as little more than props in the convoluted schemes of Mack and Adam or as plot devices to nudge the narrative forward. In a film that ostensibly celebrates the nuances of modern relationships and the value of deep connection, the shallow characterization across the board is a significant misstep.

From a directorial standpoint, Trish Sie seems to struggle with balancing the film’s comedic elements with its attempts at romance and introspection. Scenes intended to elicit laughs often come across as trying too hard, while moments that should have been poignant or reflective instead feel rushed and unearned. The result is a movie that neither fully embraces its comedic potential nor does it effectively explore the emotional landscapes of its characters. The pacing suffers as a consequence, with the narrative dragging in places where sharper editing and a more focused script could have injected much-needed vitality.

On a more positive note, the film’s production values are commendable, with New York City serving as a vibrant backdrop that adds a layer of charm to the proceedings. The soundtrack, too, is a highlight, featuring an eclectic mix of tracks that at least partially succeed in infusing some energy into the film. However, these elements feel like mere dressing on a foundation that’s fundamentally flawed.

One of the film’s few saving graces is its attempt to touch on the idea that love and relationships are more complex than the fairy tales or media depictions we’re often fed. The problem is that Players never digs deep enough into these themes to offer any insightful commentary or novel perspectives. Instead, it opts for a safe, by-the-numbers approach that leaves little lasting impact on the viewer.

In the end, Players feels like a missed opportunity. With a cast this talented and a premise that, while not groundbreaking, could have been a springboard for a fresh take on the romantic comedy genre, the film’s inability to find its footing is all the more disappointing. Fans of the actors involved may find some enjoyment in their performances, but for those seeking a memorable or particularly engaging rom-com experience, Players is unlikely to satisfy.

For a film titled Players, it’s ironic how safe and unadventurous it feels. In a genre that’s seen a resurgence in recent years, with films and series managing to balance humor, romance, and genuine insight into the human condition, Players is a reminder that not all attempts at reviving or reinventing the rom-com will emerge victorious. In a crowded field, it simply doesn’t bring enough to the table to distinguish itself or leave a mark.