LaRoy, Texas – Film Review

Published April 12, 2024

Movie Details

Rating
A-
Director
Shane Atkinson
Writer
Shane Atkinson
Actors
John Magaro, Steve Zahn, Galadriel Stineman, Matthew Del Negro, Bob Clendenin
Runtime
1 h 50 min
Release Date
April 12, 2024
Genres
Crime, Comedy, Thriller
Certification

LaRoy, Texas, a crime thriller comedy that saunters into the limelight with a cocky smirk, can easily be described as a hidden gem among modern cinematic endeavors. Shane Atkinson, known for his keen eye for blending genres, presents us with a story that’s as unpredictably hilarious as it is compelling. Anchoring this chaotic whirlwind is John Magaro, who delivers a stunning performance as Ray, a downtrodden man who finds himself accidentally moonlighting as a hitman.

At first glance, LaRoy, Texas might seem like your typical dark comedy, but Atkinson’s script ingeniously weaves together elements of a thriller with comedic moments that never feel forced or out of place. The narrative grabs you from the outset—Ray’s discovery of his wife’s infidelity and his subsequent brush with suicide immediately set the tone, laying a foundation that is both darkly comedic and heart-wrenchingly vulnerable. Magaro’s portrayal of Ray is nuanced; he perfectly encapsulates a man so lost in the despair of his own existence that he’s willing to embrace the absurdity of becoming a hitman on a whim. This drastic pivot in his life serves as the story’s linchpin, inviting viewers on a journey that’s both outrageously funny and introspectively bleak.

The supporting cast enhances this dynamic beautifully. Steve Zahn‘s Chip is the quintessential bad influence—charismatic, morally ambiguous, and absolutely hilarious. His chemistry with Magaro is palpable, adding layers to their interactions that are key to the film’s emotional and comedic rhythms. Megan Stevenson as Stacy-Lynn and Matthew Del Negro as Junior enrich the narrative with their performances, offering perspectives that not only heighten the tension but also provide a richer understanding of the bizarre world Ray finds himself in. Dylan Baker’s portrayal of Harry is a masterclass in subtlety, perfectly embodying the idea of a villain who’s as terrifying as he is comically disillusioned.

The beauty of LaRoy, Texas lies in its ability to surprise. Just when you think the story is heading in a predictable direction, Atkinson throws in a curveball that flips the narrative on its head. The blend of crime and comedy is handled with such finesse that it never feels jarring—instead, the transitions from laughter to suspense are seamless, showcasing Atkinson’s deft storytelling and directional prowess. The dialogue is sharp, filled with witty exchanges and memorable one-liners that ensure the pace never falters.

Visually, the film is a treat. The cinematography captures the essence of small-town Texas with a keen eye, using the landscape to underscore the isolation and absurdity of Ray’s situation. The choice of color palette, with its washed-out hues interspersed with vibrant shots, mirrors the juxtaposition at the heart of the story—Ray’s mundane existence versus the bizarre, colorful world he’s stumbled into. The soundtrack, a mix of country tunes and suspenseful scores, complements the visual storytelling, adding another layer to the film’s unique atmosphere.

However, LaRoy, Texas is not without its flaws. There are moments where the narrative seems to lose its footing, particularly in the second act where the balance between the thriller elements and the comedy slightly tips. A few plot points feel underdeveloped, leaving one wondering what a bit more screen time or a tighter script could have achieved. Despite this, the film manages to right itself, steering towards a climax that is both satisfying and thought-provoking.

What truly sets LaRoy, Texas apart is its unflinching examination of despair and redemption. Beneath the laughs and the adrenaline-pumping moments of suspense lies a profound exploration of what it means to seek a second chance at life, even if it comes in the most unorthodox of ways. Ray’s journey is a metaphorical rollercoaster that resonates on a deeply human level, making it impossible not to root for him despite the absurdity of his predicament.

LaRoy, Texas is a true standout in the genre of crime thriller comedies. Its blend of sharp wit, suspense, and emotional depth creates a cinematic experience that’s both entertaining and meaningful. While it might stumble in places, the film ultimately stands as a testament to Shane Atkinson’s talent and vision. John Magaro and the rest of the cast deliver performances that are unforgettable, ensuring that LaRoy, Texas leaves a lasting impression.