Herd – Film Review
Published October 17, 2023
Steven Pierce‘s Herd tries to create a nightmare environment where survival hangs in the balance by fusing the chaos of warring militia groups with the horror of a zombie outbreak. Although the film has a talented cast, including Ellen Adair, Mitzi Akaha, Jeremy Holm, Amanda Fuller, and Dana Snyder, their efforts are overshadowed by a confusing plot and inconsistent execution, leaving the audience with a disappointingly subpar horror experience.
The premise, which takes place in a post-apocalyptic world where humanity battles both the undead and factions with a desire for power, has potential. Jamie Miller, convincingly portrayed by Ellen Adair, is a woman haunted by her past who seeks solace in a world run by violent militias and overrun by zombies. In such a grim setting, there is so much room for in-depth character exploration, but Herd wastes it by giving its characters neither a compelling backstory nor emotional nuance. Insufficient depth prevents Jamie’s struggles and development throughout the film from fully engrossing the viewer.
The film’s inability to create a consistent tone is its biggest flaw. Herd occasionally uses jump scares and gory imagery in its zombie encounters to try to convey true terror. However, these scenes are abruptly followed by illustrations of violent clashes between the militia groups that somehow manages to be funny. The overall horror experience is diminished by this inconsistent tone, which makes it difficult for viewers to decide whether to be terrified or amused.
Herd‘s pacing is also erratic, with lengthy stretches of slow storytelling interspersed with frantic action scenes. It is difficult to stay interested in the unfolding events because this imbalance throws off the narrative’s momentum. Its attempts to create suspense frequently fail because scenes that ought to be intense and compelling are undermined by foreseeably positive outcomes and overused dialogue.
The makeup and special effects used to make up the visuals are a mixed bag. The zombie designs are sufficiently horrifying, but they lack the imagination and originality found in other recent horror films. The practical effects are adequate, but occasionally the larger-scale action sequences’ CGI looks noticeably fake, which lessens the impact of these scenes. Sadly, despite how well the cinematography depicts the desolate atmosphere, the film’s weak narrative cannot be made up for.
Herd’s lack of thematic nuance makes it worse. Little is done to explore the potential for social commentary on human nature and the struggle for power in difficult situations. The script only superficially explores these themes, passing up the chance to elevate the narrative beyond a simple zombie-militia mashup. Herd could have become a thought-provoking horror picture with a more nuanced examination of the characters’ motivations and the effects of their decisions, but sadly, this depth is still lacking.
In spite of the film’s many flaws, the cast gives admirable performances. Jamie is authentically portrayed by Ellen Adair as being desperate and determined, giving the character some sense of reality amidst the chaos. The film becomes more intense because of Jeremy Holm’s menacing performance as militia leader Big John Gruber. The weak script and underwhelming character development, however, overshadow these outstanding performances and prevent the actors from showcasing their abilities to their full potential.
Herd struggles to stand out in the crowded zombie horror market. The film’s muddled narrative, uneven tone, and lack of character depth ultimately lessen its impact despite the sincere efforts of its cast and crew. The film’s general mediocrity overshadows the few instances of genuine tension and respectable performances. Herd fails to deliver the intensity and fear it promises, so horror fans seeking a compelling and immersive experience are better off looking elsewhere.