Burning – Film Review

Jong-soo runs into Hae-mi, a girl who once lived in his neighborhood, and she asks him to watch her cat while she’s out of town. When she returns, she introduces him to Ben, a man she met on the trip. Ben proceeds to tell Jong-soo about his hobby.

Set against the backdrop of modern-day South Korea, Burning is a thought-provoking cinematic gem directed by the acclaimed filmmaker Lee Chang-dong. With its mesmerizing cinematography, captivating performances, and profound exploration of themes, this film takes the audience on a deeply unsettling journey that lingers long after the credits roll.

At its core, Burning is a psychological thriller that delves into the complexities of human nature, identity, and social alienation. The film follows the life of Jong-su (played by Yoo Ah-in), a socially isolated aspiring writer who becomes entangled in a mysterious love triangle with Haemi (played by Jun Jong-seo) and Ben (played by Steven Yeun). Jong-su’s mundane existence takes an unexpected turn when he encounters Haemi, a free-spirited woman from his childhood. Their relationship sparks a glimmer of hope within Jong-su, only to be overshadowed by the enigmatic Ben, a wealthy and charming stranger who effortlessly captivates Haemi.

One of the film’s greatest strengths lies in its atmospheric cinematography, courtesy of cinematographer Hong Kyung-pyo. The camera moves gracefully, capturing the serene countryside landscapes as well as the bustling cityscape of Seoul. The juxtaposition between the tranquil beauty of nature and the harsh urban environment reflects the stark contrast between the characters’ inner lives and the outer façade they present to the world. The cinematography enhances the film’s sense of unease, creating an underlying tension that gradually builds throughout the narrative.

Lee Chang-dong’s masterful direction and meticulous attention to detail are evident in every frame of Burning. The pacing of the film is deliberate, allowing the tension to mount slowly, like a slow-burning fuse. Every scene serves a purpose, each line of dialogue carefully crafted to reveal subtle layers of meaning. The director’s ability to create an atmosphere of ambiguity and uncertainty keeps the audience on edge, unsure of what will unfold next.

The performances in Burning are nothing short of extraordinary. Yoo Ah-in delivers a powerful portrayal of Jong-su, capturing the character’s internal turmoil and vulnerability. His restrained yet deeply emotional performance draws the audience into his world, eliciting empathy and curiosity. Jun Jong-seo shines as Haemi, bringing an infectious energy to the screen with her radiant presence. Her portrayal of a young woman yearning for connection is both captivating and haunting. Finally, Steven Yeun gives a mesmerizing performance as Ben, exuding an enigmatic charm that simultaneously fascinates and unsettles.

Thematically, Burning explores the nuances of class disparity and the alienation experienced by individuals within society. The stark contrast between Jong-su’s humble background and Ben’s affluence highlights the vast divide between the haves and have-nots. Lee Chang-dong skillfully uses this class dynamic to explore the underlying tension and resentment that can arise between individuals from different socioeconomic backgrounds. Additionally, the film raises questions about the nature of truth, memory, and perception, leaving the audience to ponder the blurred lines between reality and imagination.

The screenplay, adapted from Haruki Murakami’s short story “Barn Burning,” is a testament to Lee Chang-dong’s storytelling prowess. The narrative unfolds with precision, gradually revealing new layers of intrigue and suspense. The script’s attention to detail allows for multiple interpretations, inviting the audience to actively engage with the material. Burning is a slow burn in every sense, with the plot unfolding methodically, leading to a climax that is as unexpected as it is impactful.

The film’s score, composed by Mowg, complements the visuals and enhances the film’s emotional depth. The haunting melodies and subtle sound design work in harmony with the visuals, intensifying the film’s atmosphere and heightening theviewer’s emotional response. The score adds another layer of complexity to the film, enhancing the unease and tension that permeate the narrative.

While Burning is undoubtedly a remarkable film, it may not be for everyone. Its deliberate pace and ambiguous storytelling style require patience and a willingness to engage with the film on a deeper level. Some viewers may find the slow buildup frustrating, longing for more immediate gratification. However, for those who appreciate slow-burning narratives that leave room for interpretation, Burning is a cinematic gem that rewards careful observation and introspection.

Burning is an extremely moving cinematic gem that showcases Lee Chang-dong’s mastery of storytelling. With its striking visuals, outstanding performances, and thought-provoking exploration of themes, the film leaves a lasting impression on its audience. It is a haunting and evocative experience that defies easy categorization, weaving together elements of mystery, romance, and social commentary. Burning challenges conventional narrative structures, leaving room for interpretation and introspection long after the credits roll. For those who appreciate artful filmmaking and are willing to embrace its slow-burning nature, Burning is an absolute must-see.