Thriller

Finestkind – Film Review

Finestkind turns out to be a missed opportunity for an engrossing crime drama. Apart from Jenna Ortega’s captivating performance, it offers little by way of engaging characters, suspense, or intriguing narrative developments.

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Cat Person – Film Review

While Cat Person may leave some questions unanswered, its ability to provoke introspection and discussion makes it a worthwhile watch.

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It’s a Wonderful Knife – Film Review

An ironically titled misfire, It’s a Wonderful Knife seems poised to swiftly sink beneath the ice of more solidly-constructed Christmas slashers.

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Eileen – Film Review

Eileen stands as a distressing, grimly engaging psychological thriller with impressive performances and remarkable direction.

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The Marsh King’s Daughter – Film Review

The Marsh King’s Daughter offers an intense, layered exploration of survival and the human capacity for resilience in the face of adversity.

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The Girl on the Train – Film Review

It is often said that the journey is more important than the destination, and in the case of The Girl on the Train, the destination is regrettably as tedious as the journey itself.

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Saltburn – Film Review

Saltburn may not be to everyone’s taste, but for those who enjoy their thrillers mysterious and their comedies dark, this could be a fun ride.

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Manodrome – Film Review

Manodrome provides intriguing tidbits for viewers looking for a difficult and unsettling examination of masculinity and psychological turmoil, but it ultimately falls short of providing a satisfying and well-rounded cinematic experience.

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Nobody’s Home – Film Review

Nobody’s Home stands as a daring foray into the darkest corners of the human psyche, skillfully crafted by Michelle Bossy’s direction and Louisa Erlich’s haunting script.

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Thanksgiving – Film Review

Despite its flawed storytelling, Eli Roth’s slasher endeavor Thanksgiving resonates due to its iconic gore style and robust performances from Nell Verlaque and Patrick Dempsey.

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